What Were the 3 Visual Characteristics of Baroque Art
The Baroque flow adult afterward the Renaissance and Mannerism art periods. It brought with information technology new perspectives virtually life, art, religion, and civilization. The Baroque style moved away from the severe elements depicted past the Protestant style. The Catholic Church supported the development of Bizarre with its origins in Rome, Italy, and eventually in European countries similar northern Italia, France, Espana, Portugal, Austria, southern Germany, and Russia. Below, we discuss this decorative and fanciful art menstruation.
Tabular array of Contents
- 1 Historical Foundations: When Was the Baroque Period?
- 1.1 The Reformation: The Cosmic Church and Protestants
- 1.two Protestants versus Counter-Reformation Developments
- 1.three A Flawed Pearl: Definition of Baroque
- 2 What Is Bizarre Art?
- 2.1 Baroque Art Characteristics and Techniques
- 3 Famous Baroque Artists
- 3.1 Baroque Paintings
- three.2 Bizarre Compages
- 3.3 Bizarre Sculpture
- 4 Other Famous Baroque Painters
- 4.1 Flemish Baroque Artists
- 4.2 French Baroque Artists
- 4.3 Spanish Baroque Artists
- 4.4 Dutch Baroque Artists
- five From Dark to Light: Baroque and Rococo
- 6 Oftentimes Asked Questions
- 6.1 What Is Baroque Art?
- 6.2 What Characterized the Baroque Flow?
- 6.3 When Was the Baroque Catamenia?
Historical Foundations: When Was the Baroque Flow?
The Baroque menses began during the the belatedly 1500s until the early 1700s, and was broad and varied throughout Europe. Its principles of extravagance, ornateness, and decorated details were portrayed in a range of cultural mediums like paintings, architecture, sculpture, literature, and music. It was a period of revival in art and culture with deep roots in the religious structures and powers of Western Europe at the fourth dimension, which was the Cosmic Church, and presently referred to every bit the Roman Cosmic Church building.
Baroque art of any kind was inseparably linked to the Cosmic Church building. In fact, the Church informed what fine art should expect like in order to accept a desired upshot upon the people. Information technology was made to inspire grandeur and awe in the people who experienced it, and became a wholly new sensory feel.
The Catholic Church backed the Baroque mode because information technology needed a new and enlivened approach to inspire and uplift the common people again, likewise as to connect them with the Church building and its majesty. Afterwards the turmoil of war and conflicts from the Reformation, this was a refreshing resurgence for the Church building.
The driving forces backside this can be considered propagandist, as it used the modes of visual representation and communication (painting, compages, sculpture) in order to maintain the brownie and authority of the Catholic Church building.
To understand the advancements that Bizarre Art brought to art and culture, we need to look at the historical foundations underpinning this catamenia.
The Reformation: The Cosmic Church building and Protestants
The Baroque period developed from considerable political and religious upheaval in Europe, such as the Reformation between the Protestants and Catholic Church building during the 1500s. Although the Reformation may accept started with many other religious figures before Martin Luther (a German monk, priest, and theologian), many scholarly sources signal to him as the catalyst of the Reformation, which set these events in movement.
Martin Luther is known for his publication entitled, "95 Theses", which he wrote in 1517 out of apprehension about various questionable actions by the Catholic Church building. His apprehensions were primarily about the Church (nether Pope Leo Ten) selling indulgences, otherwise known as plenary indulgences, to people to enhance money to build St. Peter'south Basilica in the Vatican city of Rome.
Indulgences were nearly like certificates guaranteeing people that they would go to Heaven and spend less time in Purgatory if they offered donations to the Church, did a good human activity, visited a certain place, or recited a prayer. In this case, the financial donations helped the Pope build the Basilica. Martin Luther did not agree with this blazon of procedure, as he believed no one needed to pay for their place in Heaven. Furthermore, he had other deeper concerns about the Church building and its stance on diverse religious matters relating to the Catholic Sacraments.
First of the text of the first printing of the High german version of the 95 Theses in 1557;Martin Luther, Public domain, via Wikimedia Commons
During this time, Martin Luther taught Moral Theology at Wittenberg University and he was also a preacher. He heard virtually the data that indulgences were being sold, and was made aware of sermons being given near Wittenberg by another preacher called Johann Tetzel, a German Dominican preacher who was also the Grand Commissioner for indulgences.
Martin Luther sent the "95 Theses" to the Archbishop of Mainz, who was Albert of Brandenburg at the time, to inform him almost what was happening. He also posted information technology on church doors in Wittenberg, which was a mutual do to practise. The availability of the printing press immune Martin Luther to make numerous copies of his publication. In fact, hundreds were printed in Germany, as well as translated to German from Latin. The certificate eventually landed in the hands of many respected intellectuals.
It was in 1521 when Martin Luther came to potent disagreements with the Church, every bit he would non renounce his views when asked to. Because of this, he was denounced from the Church and considered a "notorious heretic" in the Edict of Worms, alleged by Emperor Charles V.
After the turn of events from the Reformation, which was believed to accept ended either during the Peace of Augsburg in 1555 or during the Treaty of Westphalia in 1648, the Catholic Church building formed a Counter-Reformation. This started during 1545 to 1563 with the Council of Trent. The Council of Trent consisted of many meetings addressing various issues and procedures present within the Church and its systems.
Protestants versus Counter-Reformation Developments
The Counter-Reformation also sparked new developments in art and spirituality. The Protestants sought to do away with a lot of the Cosmic Church'southward religious imagery, agreeing that it was too extravagant. Some Reformists violently destroyed the Cosmic Church'south religious imagery, known as iconoclasm. The Protestants believed religious images should but depict Jesus or images of the cross, in line with Protestant values.
Every bit a response to the severe styles depicted in Protestantism, the Cosmic Church believed religious imagery held a lot of power. Furthermore, during the events of the Council of Trent it was decided what religious imagery would be acceptable or non. The "pastoral role" of art was considered a primary purpose of religious imagery, meaning that artists could depict the stories of Christ'south suffering, crucifixion, and many of the saints related to Biblical stories. The council members made strict rules that all imagery could not contain any idolatrous innuendos.
What followed were new artistic styles and attitudes depicted in religious imagery, ameliorate known every bit the Bizarre period.
A Flawed Pearl: Definition of Baroque
By understanding the meaning of the term "Bizarre", we will gain more context nigh what Baroque art stood for and was. The art developed during this time was the visual result and accomplishment borne from deeper historical, social, and political issues in Europe. It was an age of discovery undoubtedly, introducing new concepts and techniques within the art world, and hence, an achievement.
The term baroque has been understood within various contexts. Information technology is a French word, but its root origin is traced to the Portuguese barocco, which means "a flawed pearl". This term was related to jewelry as early on equally the 1500s onwards. It was used to depict the shapes of existent pearls.
At that place are other definitions of the term that chronicle to philosophy, specifically logic, or Aristotelian Logic. Equally a Latin term, baroco, it was used to assist with remembering syllogisms, which were used in deductive reasoning formulas. Several scholars and philosophers applied this word beyond the school of logic, for example, Michel de Montaigne defined it as "bizarre and uselessly complicated".
La Visite à la chiliad-mère('Visit to Grandmother', c. 1645-1648) past Louis Le Nain;Louis Le Nain, Public domain, via Wikimedia Commons
Jean-Jacques Rousseau, a philosopher and musician in the 1700s, described Bizarre music as being disharmonious in the Dictionnaire de musique ('Dictionary of music', 1768), stating, "Baroque music is that in which the harmony is confused, overcharged with modulations and noise. The vocal is hard and unnatural, the intonation difficult, and the movement constrained. It would seem that this term comes from the baroco of the Logicians".
Heinrich Wölfflin, an art historian from Switzerland, described "baroque" inside the context of being an art style in his publication Renaissance und Barock (1888). In whichever fashion this term has been defined over the centuries, the underlying essence certainly conveys a sense of imperfection, defoliation, and maybe even disorder and beauty.
This is evident in the Baroque style, whether it be paintings, sculptures, architecture, music, or literature. Beneath, nosotros take a closer look at what Baroque Art is.
What Is Baroque Art?
Baroque Art was pioneered by noteworthy painters, architects, and sculptors who brought the visual power of art to the masses. There were many important figures for the Baroque period. For instance, artists like Caravaggio, who portrayed strong realism in his paintings, the Carracci brothers and their Bolognese Schoolhouse, which sought to move away from the art of Mannerism (the art period after the Renaissance), and Giacomo Della Porta, an Italian builder. We will look at these artists and their contributions to the Baroque style in greater particular beneath.
Baroque Art Characteristics and Techniques
What ready the Bizarre menstruation apart from the Renaissance and subsequent Mannerism periods was its focus on more liveliness in its subject affair and a stark realism. Some sources also describe information technology as focusing on the moment the event is taking identify, or otherwise the "activity" or drama. The subject matter was of religious and biblical narratives, as instructed by the Cosmic Church. These would range between images of the Virgin Mary, the diverse Saints, and various stories from the Bible.
Furthermore, Baroque paintings were characterized by the apply of vibrant colors practical with swirling and wide brushstrokes, which indicated movement and emotional intensity. This painting mode focused on depicting big expanses of calorie-free and openness, which was also seen in compages, such as the churches with expansive areas within the heart of the edifice, capped past cupolas (domes or square-like crowning structures over a roof) above for more than low-cal to enter the building.
Chiaroscuro
Chiaroscuro is an Italian term that ways "light-dark". It focuses on defining contrasts in painting. This technique started in the Renaissance period, but it was the way Caravaggio utilized information technology that it became a popular feature of the Baroque period. With the strong emphasis on dark and low-cal within his compositions, the viewer almost becomes a role of the event portrayed in the painting.
An case includes Caravaggio'due southThe Calling of St. Matthew (1599 – 1600), where we see the right finger of Christ pointing towards St. Matthew. The calorie-free and shadow on the wall from the incoming sunlight is direct echoed aslope Christ'southward pointing finger.
The Calling of Saint Matthew(1599-1600) past Caravaggio;Caravaggio, Public domain, via Wikimedia Commons
Tenebrism
Tenebrism was another technique used by several Baroque painters, popularized and believed to have started past Caravaggio. Although it is like chiaroscuro, information technology mainly focuses on the darker areas of a painting. The term originates from the Italian word, tenebroso, which in plow originates from the Latin, tenebra, pregnant "darkness". Other words related to this terms are gloomy and mysterious. It sought to create what is referred to as the "spotlight" effect, as well called "dramatic illumination".
Quadro Riportato
Quadro Riportato means "carried picture" in Italian, and it was used as a technique by which the artist would paint what appeared as a frame effectually a painting, which would consist of a serial of paintings displayed as a fresco. This technique was used by one of the forerunners of the Baroque menstruation, Annibale Carracci. It is axiomatic in The Loves of the Gods (1597 – 1600) fresco on the Farnese Palace's ceiling.
Carracci's Triumph of Bacchus and Ariadnedepicted in the center of The Loves of the Gods (1597-1600) fresco on the Farnese Palace's ceiling; Annibale Carracci, Public domain, via Wikimedia Eatables
Illusionism: Trompe fifty'Oeil and Quadratura
The idea of "opening up" spaces inside paintings was a big office of Baroque Fine art, equally this also gave the sense of it being an optical illusion with the painted image appeared 3-dimensional. Creating this three-dimensionality was known as trompe l'oeil, which means "deceive the eye" in French.
Nosotros tin can run into this on many of the frescos in churches and paintings throughout the Baroque period. Nonetheless, it did not start during this fine art period and tin instead be institute dating back every bit early on as the 1800s. In fact, this technique was used equally early as some Greek mural paintings equally well as far into futurity with artists similar Salvador Dali, who utilized this technique in his Surrealist paintings.
Bizarre artists employed another perspective technique calledquadratura, which depicts images that appear like parts of existent architecture and are intentionally painted as continuations of the existent architecture. This technique used theories based on architectural perspective to use it accurately.
Famous Baroque Artists
Below, we look at only a scattering of well-known Bizarre artists, including prominent painters, architects and their buildings, too as sculptors and their sculptures. Nonetheless, this does not exclude the many other masterpieces created during the Baroque period and what they contributed to this catamenia of art and civilisation.
Baroque Paintings
Baroque paintings were found far and wide effectually Europe, and we will see paintings from Italy, France, Spain, Flanders, The netherlands, England, and Germany. Many artists had other artistic attributes that made them not only painters, only sculptors, draftsmen, drawers, and architects, amid others.
We will see that there is a lot of crossover between many of these painters, every bit each of them drew inspiration from many sources during this time, including the styles of prominent masters from the Renaissance period like Michelangelo, Titian, and Raphael.
Annibale Carracci (1560 – 1609)
Annibale Carracci pioneered Baroque painting along with his blood brother, Agostino Carracci (1557 – 1602) and their cousin, Ludovico Carracci (1555 – 1619). They are well known for starting the Bolognese School of Fine art (1590 – 1630), initially named Accademia dei Desiderosi, which they later changed to Accademia degli Incamminati ("Academy of the Progressives").
This was a turning point for fine art in Italy as it moved abroad from the styles called Realism and Mannerism. Annibale Carracci sought to draw elements of Classicism and Naturalism in his artworks. He drew from the High Renaissance'south stylistic theories of perspective and proportion to enhance the aesthetic and naturalistic appeal. He is remembered as having a realistic way with large brushstrokes.
His artworks had a lively effect and were painted in life-size and full-length in club to create a deeper emotional connexion with the viewer. Additionally, he used the technique of illusion, as his paintings almost invited the viewer to become a role of the subject matter with its realistic portrayals, often of religious figures and landscapes. Examples include Piet à (1585) and Resurrection of Christ (1593).
Pietà (1585) by Carracci;Annibale Carracci, Public domain, via Wikimedia Commons
Michelangelo Merisi da Caravaggio (1571 – 1610)
Caravaggio was a revolutionary creative person of his time, and lived a more conflicted lifestyle, being involved in numerous crimes. He started his creative training in Mannerism in Rome, but he eventually moved abroad from this mode and adopted a more than naturalistic approach. He became a popular creative person due to his innovative mode of painting and utilize of discipline matter.
Caravaggio painted from the world around him and would ofttimes incorporate everyday imagery with the sacred figures. In a way, he bridged a gap betwixt the normalcy of life with the sacred. He made saints human, and some sources refer to the concept of "spiritual populism", in which he made sacred, religious art available to the ordinary man on the street.
The divine was not a far off ideal of perfection anymore, which was in line with what the Catholic Church wanted from art during the Counter-Reformation.
Many of the great examples of Caravaggio paintings include The Calling of Saint Matthew (1600), The Martyrdom of Saint Matthew (1600), Crucifixion of Saint Peter (1601), Decease of the Virgin (1606), and the Flagellation of Christ (1607), among many others. You may detect Caravaggio'due south radical realism in his painting, Death of the Virgin (1606), which was criticized for its portrayal of Mother Mary. The dead virgin in this painting is Female parent Mary, but the creative person depicted her lifeless trunk equally but some other woman – one might call up that information technology is just some other adult female who died.
Morte della Vergine('Decease of a Virgin', 1606) past Caravaggio; Caravaggio, Public domain, via Wikimedia Eatables
Caravaggio emphasizes the naturalness of this composition with various elements, such as the simplicity of her wearable, her hands and anxiety appearing bloated, and the simplicity of the scene and men around her body mourning her. The only indication of her being a holy effigy is the sparse halo effectually her head. Caravaggio opens the whole scene to the viewer in the forefront, with the various mourners seemingly creating a backdrop in the background, thus forcing the viewer to be there with the dead body of Mother Mary.
Additionally, we see the utilize of stark dissimilarity of dark and low-cal in many of Caravaggio'southward paintings. His employ of the chiaroscuro technique became a signature characteristic of his artworks. This too influenced many other artists effectually Europe, and became a miracle chosen Carravagism.
Artemisia Gentileschi (1593 – 1656)
Artemisia Gentileschi was a prominent female artist during the Bizarre menstruation. She is remembered for her use of techniques like chiaroscuro, a close 2nd to Caravaggio. She as well portrayed many women from biblical stories, scenes of rape and diverse ability struggles, equally well every bit emphasizing the role of a woman within a man's globe, equally the art world was mainly dominated by men at the fourth dimension. Her scenes depicted the realism nosotros so oftentimes see from many Baroque masters.
Some of her popular works include Susanna and the Elders (1610), Danae (1612), and Judith Slaying Holofernes (c. 1620), which is a dynamic artwork and one also done by Caravaggio. In Gentileschi's version of Judith Slaying Holofernes (c. 1620) we volition see the artist focusing more on the women slaying the male person figure, who is decorated struggling while the two pin him down and start beheading him.
Giuditta che decapita Oloferne (' Judith Beheading Holofernes', 1611-1612) by Gentileschi;Artemisia Gentileschi, Public domain, via Wikimedia Eatables
This composition takes place in the heat of the moment, and then to say, as we likewise discover how the claret sprays out of the neck, making the whole scene all the more emotionally intense and severe. She also used darker areas of color with the chiaroscuro technique in addition to a deep palette of colors.
Other aspects of this composition betoken to the power Gentileschi displayed as an artist herself, being able to portray her subject matter the way she wanted to. The violent display of power and death in this painting also points to the underlying motivation for painting a scene like this, as she was the victim of sexual set on as a young woman.
Baroque Architecture
Baroque architecture is characterized by ornate decorations, high ceilings decorated with frescos, and lavish ornamentation to draw viewers' attention and emotional reactions of awe. It is of import to note the role of the Jesuits in Baroque architecture.
The Jesuits were a religious club at the time of the Counter-Reformation and sought to create a new type of architecture to inspire the people and draw the majesty of the Cosmic Church building.
Giacomo Della Porta (1532 – 1602)
Baroque architecture is believed to accept started with the Church of the Ges ù (1584) and the pioneering style of its façade, which was designed past Giacomo Della Porta, a sculptor and architect in Italy. Giacomo Della Porta was an of import architect for the Bizarre period. He learnt from other cracking masters of art similar Michelangelo, and was instructed by Giacomo Barozzi da Vignola (1507 – 1573), a leading Mannerist builder in Italy.
Façade of Chiesa del Gesùin Rome, Italia, designed by Della Porta; I, Alejo2083, CC By-SA 3.0, via Wikimedia Commons
The Church of the Ges ùwas constructed for the Society of Jesus, as well chosen the Jesuits. Della Porta worked alongside Vignola on this building, and although the appearance of the façade was not as elaborate every bit the later Bizarre buildings – we can meet it appears minimally decorated overall with simply a concentration of architectural adornments near the entrance – it ready the tone for the beginnings of Baroque compages.
Baroque Sculpture
There were many great sculptors during the Baroque period, but there was one artist who stood out amid everyone else and laid the foundations of what sculpture was. Bizarre sculpture was made, every bit ordered by the Catholic Church, to create awe and inspire the common people.
Bizarre sculpture was characterized by various features, namely its interactivity, equally viewers were able to walk effectually the whole sculpture and view its completeness, which fabricated its message more than impactful. Information technology was too used in churches to accentuate architectural structures. Furthermore, sculptors were so skilled in their fine art they created works with extensive attending to detail, from gender to the diaphanous nature of the cloth on the sculpted effigy.
Giovanni Lorenzo Bernini (1598 – 1680)
This brings us to Giovanni Lorenzo Bernini, an architect and sculptor in Italy. He was predominantly a sculptor and has been compared by some scholars to possess the same importance that Shakespeare had for the world of theater and literature.
Bernini was considered a prodigy during his early years, with many comparing him to Michelangelo.
Bernini's sculptures depicted the moment of action taking place, which added to the intensity of the work upon viewing information technology. His subject matter consisted of biblical and mythological scenes and figures, and we can see examples of this in his sculptures like Aeneas, Anchises, and Ascanius (1619), The Rape of Proserpina (1621 – 1622), Apollo and Daphne(1622 – 1625), and David (1623 – 1624).
Apollo and Daphne (1622-1625) by Bernini; Gian Lorenzo Bernini, CC Past-SA four.0, via Wikimedia Eatables
One of Bernini'due south greatest sculptures to date is the Ecstasy of Saint Teresa (1647 – 1652). Made of pure marble, it is housed in the Cornaro Chapel in Rome. The sculpture depicts Saint Teresa of Avila lying half-conscious on a cloud with an angel. The affections is slightly elevated, next to her body on her correct, and just well-nigh to pierce her heart with a spear. The marble is carved in such a style that makes the Saint appear equally calorie-free as a plume floating on the cloud, which highlights the story Bernini is portraying here.
Here, we encounter Saint Teresa experiencing a deep moment of ecstasy. It appears spiritual in nature, simply Bernini besides focused on the concrete and sensual effects this experience gave the Saint. We run across this in the mode her trunk lies as well as her facial expression. Behind the key figures, nosotros as well notice what appears like rays of light shining downwardly on the moment of pure bliss.
When we look at the whole composition, we will also discover the key figures are inside a columned construction with two theater boxes on either side of the main discipline of the Saint and Angel. The theater boxes are directly opposite the other and contain sculptures of the Cornaro family.
Trasfigurazione di santa Teresa('Ecstasy of St. Teresa', 1652) past Bernini;Gian Lorenzo Bernini, CC Past-SA 2.0, via Wikimedia Commons
Other Famous Baroque Painters
Below are other famous Baroque artists worth noting, especially artists that came from different European countries other than Italy.
Flemish Baroque Artists
Peter Paul Rubens (1577 – 1640) was an influential Flemish creative person that created artworks with religious themes, including mythological scenes. His work varied from landscapes, portraits, altarpieces, and paintings. This Baroque period creative person was known as giving northern art, specifically painting, a new perspective. He was influenced by artists like Titian and incorporated a variety of male and female person figures in the nude in his paintings.
Furthermore, his paintings depicted potent emotional vibrancy and are oftentimes described as exuberant in style.
Some of his famous artworks include The Elevation of the Cantankerous (1611), Massacre of the Innocents (1612), Prometheus Spring (1618), The Admiration of the Magi (1624), Venus and Adonis (1635), and The Iii Graces(1639), and the Return of the Peasants (1640), which depicts Ruben's beloved of landscapes.
The Iii Graces (c. 1635) past Rubens; Peter Paul Rubens, Public domain, via Wikimedia Commons
French Baroque Artists
Georges de La Tour (1593 – 1652) created artworks using strong chiaroscuro techniques similar to Caravaggio. However, what fabricated La Tour'south paintings different was his simplified approach and rendering of figures. He is known for depicting scenes that announced by candlelight.
Where Caravaggio'south paintings depict emotional intensity, La Tour's paintings describe an emotional stillness. His discipline matter was of religious figures and narratives. Examples of his artworks include The Penitent Magdalene (c. 1640), Joseph the Carpenter (1642), Nativity (1644), and The Newborn Christ (1645).
The Penitent Magdalene (c. 1640) by de la Tour;Georges de La Tour, Public domain, via Wikimedia Commons
Spanish Bizarre Artists
Diego Rodríquez de Silva y Velázquez (1599 – 1660) was a Spanish Baroque period artist who also painted for King Philip IV's court, which led him to paint numerous portraits of courtroom officials as well equally of the Castilian imperial family. He was well-known as ane of the pioneering portraiture artists of his time. Many sources also refer to him equally the "the painter's painter" due to his extensive attention to detail in his paintings. He often painted everyday scenes of people and nature.
Some of his famous artworks include The Supper at Emmaus (1618 – 1623), The Surrender of Breda (1635), Portrait of Juan de Pareja (1650), Portrait of Innocent 10 (1650), and Las Meninas (1656), the latter of which is one of the most famous artworks past the artist due to the strategic rendering of compositional elements similar infinite, color, perspective, and line.
Information technology depicts Infanta Margarita, who was Male monarch Philip 4'due south daughter. She is surrounded by female attendants with her in the center richly clad as royalty. Nosotros tin can besides detect the creative person depicting himself in the groundwork while he is in the process of painting the scene.
Las Meninas ('The Maids of Honor', 1656-1657) past Velázquez;Diego Velázquez, Public domain, via Wikimedia Commons
Dutch Baroque Artists
Rembrandt Harmenszoon van Rijn (1606 – 1669) was one of the almost influential and well-known Dutch painters, and to this mean solar day he is remembered as an important artist. This Dutch Baroque period artist produced many great artworks during his career, including the masterpiece, The Night Watch (1642).
Van Rijn created different scenes of everyday life, landscapes, as well every bit religious and mythological subject area matter. Rembrandt'south paintings are well-known to have captured the affluence during the Dutch Gold Age, the period during which he painted.
His paintings showed varied emotional states including a neat eye for detail while painting his scenes. He also utilized techniques of lite and dark contrasts (chiaroscuro) and innovative ways of handling his pigment and brushstrokes, often using different textures.
Some of his famous paintings includeThe Beefcake Lesson of Dr. Nicholas Tulp (1632), Man in Oriental Costume(1632), The Nighttime Watch (1642), Slaughtered Ox (1655), Jacob Approval the Sons of Joseph (1656), andCocky-Portrait with Two Circles (1660).
The Nighttime Lookout (1642) by Rembrandt;Rembrandt, Public domain, via Wikimedia Commons
From Dark to Light: Bizarre and Rococo
The Baroque period, which started in Rome, eventually evolved into what was called the Rococo flow, which started around 1702 until 1780 in France. The Rococo period was a time during which art portrayed a sense of lightness as opposed to the darker portrayals we see from the Baroque period. What both art movements shared was the dramatic flair in their artworks and use of ornate decorations, seen in paintings, sculpture, and compages.
Bizarre continues to live on in the future with many Baroque period artists influencing other artists from the Rococo period, as well as subsequent art movements like Romanticism, Impressionism, and Post-Impressionism. Gimmicky artists and architects like I.1000. Pei and Frank Gehry have too used inspiration from Bernini's structures.
Baroque fine art was an innovative fine art menses led by many peachy artists of its time who sought to move across the boundaries of what art was earlier. With a foundation in depicting the realness and naturalness of life and its people in combination with the sacred imagery of biblical and mythological figures, it brought the idealistic downward to globe.
You tin also read our baroque art facts webstory.
Frequently Asked Questions
What Is Baroque Art?
Bizarre fine art started during the late 1500s into the early 1700s. It was an fine art period during the Counter-Reformation when the Cosmic Church building was in opposition to the Protestants, who had started the Reformation. Every bit role of the reaction, the Catholic Church wanted art to inspire the masses and leave them in awe of the magnificence and beauty of non only the Church, but the power and majesty of the Biblical and mythological narratives portrayed through paintings, sculpture, and compages.
What Characterized the Bizarre Period?
The Bizarre menses was characterized past using embellished and ornate decorations in paintings, sculpture, and architecture. Baroque artists portrayed a heightened sense of emotion in their paintings – often a scene when the almost action would take place. Furthermore, the Baroque period can be known to be theatrical while remaining true to the styles of classicism and naturalism. Many artists used new techniques to emphasize emotion, such aschiaroscuro, which explored lite and dark contrasts.
When Was the Baroque Menstruum?
The Baroque flow started as an art movement after the Renaissance and Mannerism art periods, and was followed by the Rococo art motility. Many artists during the Baroque period turned away from the styles in Mannerism and were influenced by leading artists from the Renaissance menses, often using the styles from the Loftier Renaissance to create what was known as Bizarre art.
Source: https://artincontext.org/baroque-art/